So these are all items.
You need to practice all these items in a normal speed practice study constantly and for more number
of times, if you can practice, it gives you much familiarity, much acquaintance with ragas, Darla's
and with the speed to in future.
OK, now let me show you how to play the junta's foot for half notes.
For every half note has got us in all these guitars.
You would have observed it.
So how to play it in half notes is a subset of what I'm saying.
The first half note will be read, which we have used in Mulayam out of them, Muladi Salviati and all
and all these raggers.
OK, so Reid has to be called maritally like this.
If you have to play referee, you need to catch read directly first the Hofstee end up.
Remember the principle of.
Playing's understands how we have played that and them.
I have already discussed about it in my previous lecture of basics there.
We have taken the preceding note of that.
Right.
It was never Salvati Reforger like that, OK?
So we are taking we need to take preceding note of the actual dollars.
That's the principle.
That's where to play them.
Right.
So we need to use the preceding note of Rehov three also, which is said to be SORP.
So if you get really in any composition, any of these Ghitis, you need to use you to catch a read
directly and hit SA and come back to re again.
Read like this Riedy.
OK, and the same we forgot.
Also if you get agenda item for Gahagan, which we have used in on'em the Pattabhi, we need to play
golf.
Rega, the preceding note comes in between Gogu up like this.
OK, so let us take the samal.
We used it in Kalyani.
We got this one in half mile.
When you get ma ma in any other lagom, in any lagom you need to hit the preceding note to play Thandiswa
Ma Ma again.
It is the full ma.
The preceding note will be the full ma.
You need not play ma ma like this.
You might be thinking that the preceding note for ma should be gone.
How can we play full ma in Kalyani which is a wrong note.
That's true to some extent, but we are not announcing we are not letting full to sound over there.
We are just giving a split kind of thing, split for two half notes of.
Right.
So in that case, if you play in that way, this won't be sounding in a wrong way at all tone.
I mean, to say so it has to be ma ma only it's not be like Ma Gummo while playing does what I'm for
Hoffman.
OK, well this is clear and also are going to have that.
This is half right, which will play in Savary Muladi and another Lagus.
OK, while playing Dardar also unit to Achbar.
The preceding note of that the but like this.
So I have seen people playing by the border or Sadie.
Sadie already got to you got to play the drums for Hoffman's.
Actually this is a wrong pattern to play agendas for them while playing half notes, ok.
It is the wrong pattern to play just for us for having done this with them for half an hour, it has
to be played only by catching that particular half note first, then hitting the preceding note and
coming back to that half note again.
So that's what we have practiced in to among the basics.
Right.
So the principle remains the same.
We need to take the same pattern of play.
Father, also, even when you get into intermediate and advanced level, of course, there's also you
need to be playing this way only it is not part of either.
It is da ba da ba comes only once in between two modes of that.
This is the way to play to say.
But when you play ba da ba da we should not call it as a done.
OK, you are giving just a supportive part to that, but it is more than just for.
Is that where you play the preceding note after actually children does what them then it is called it
Jantar.
OK, so da da should be like this but not like that.
This is wrong so don't practice the art of it.
And again getting into neat.
This is Hoffner while playing halfling.
Also you can play Ninni like this, my catching knee directly and indirectly and by hitting full knee
and coming back to Ifni again.
This is the that's what I'm for.
Half knee but not for Pollini.
So understand the difference carefully.
Knee neat knee neat.
Has to be like this.
Are you.
Have one more facility to play them for.
Half knee is that you can catch hold of me like this half knee and you can hit the right tone index
finger also.
OK, without disturbing this one but keeping my catching hold of half knee you can this index finger
right hand you need to practice every day.
OK, my recommendation is what unless you are sick you should not leave your practice.
If you are not well really not well then that's ok.
You need to take some rest at that point of time.
Unless you are sick you you should not miss your practice.
So you need to be practicing every day as we take food.
We need to practice every day.
So that's hope.
We enhance our knowledge and skill in playing the instrument all the best and we share great success.