Welcome back, everyone, to 3-D model, a Hobbit doll scene with Blendr two point nine and Adobe Photoshop,
and this is where we left it off.
So now we'll actually finish this call.
So if you click anywhere outside of here, you'll see you get this.
We don't want not all we need to do is press the escape one and then that will actually put this like
that with no actual line going around it.
And all you need to do now is just come over to this actual great part of this layer here.
Right.
Click and just pull restaurateur's left and then that will be fixed in place now and you can actually
use it.
Now there is something else.
I am using this as an actual reference and drawing my own version of a hummingbird and an actual flower
bowl.
If you want to actually grab this hummingbird and actually put that within here, all you need to do
is come back to the top with this circle on press control.
They once you've copied it and you'll end up with your hummingbird here and then just come in.
Click on this mutal, grubby bed press controlled state and then just bring it out so it actually fits
the size of this circle here.
Now, what you can also do is if you come down to, say, the bottom here, hold the ship on down.
Well, there is actually stretch out for you.
And this then makes it easier for you to actually put it in place on the circle.
And we can also rotate it if we need to.
So you can see now that it's in place and if I press the button now and then come over to where the
bird is, which is this layer here, and bring down the opacity to something pretty low, you can see
now that you're able to actually draw over the top of this on an overlay.
Now, I'm not actually going to do it that way, so I'm going to delete this out the way.
So I click on this president, leak the lead out of the way, and then I'm actually going to draw it
from this reference.
So I'm actually going to draw like I set my own version of this.
So I tend to do before I actually draw out the main lines is I'll do a pretty rough sketch of what I
actually want.
So if I come over now to the left on side, you'll see one that's called broche.
So click on your brushtail, come up to where you've got this little circle here and what you want it
to be on is hard round.
Basically what that means is, is going to give you a very hard edge.
And that is great when we send it through a blender and turning this into an actual SPG.
Next thing you want to do is make sure that Smoothen is set down to zero.
I don't want any moving on while I'm actually creating the rough sketch of my home in bed.
So now we've got that.
Let's come over now and create a new layer of this possible and create a new layer.
And now I'm going to draw on this.
So I've got my tablet and my pen and then I'm going to just start creating.
The other thing is, of course, just make sure that this is an actual black, of course, so that when
we draw people down the way.
Click on it.
It's going to be black like so the other thing is when I tend to make my sketch, I make my actual brush
size a bit smaller than the way it's going to be when actually create the lines, fall the stained glass.
So if you look on your keyboard, you've got some brackets and you can turn those down a note and that
base will make the brush had much smaller.
So now you can see it can actually draw like this.
Now, just to get rid of that, you can control that to go back or you can press the button and that
will bring in the actual eraser.
Or you can come over to the left hand side and you'll see the eraser board is here.
So you can just go over and that will actually get rid of that.
All right.
So let's get started.
So we're going to be OK over to the broche, which is over here, and that's start actually drawing
this out.
So the first thing I'm going to do is just get the scale of my actual bird to fit where it's going to
be within this actual circle.
So I want this tail to come right at the edge pretty much of.
My circle full my door frame, so I'm going to and it does and it can be pretty rough when you're doing
this.
The main thing is just to get in the right dimensions for the bit.
So don't worry.
And this is exactly why we are doing.
This pretty roughly to start with, so now not going to work out where all my wings to go, so I want
them to come up here and then go round to hear something like that.
Now, let's bring in this top wing.
We'll bring that up to the edge again.
And then let's bring this down.
Something like that, which will fit the body in to the other side, maybe it bends in a little.
All right.
So I'm pretty much happy with that.
I'm pretty much happy with with this part here.
So maybe these needs come in.
So I'm going to proceed and I'm just going to erase those a little bit and just do this a little bit.
Need to be let's just make them something like that.
And I can see they fit much better.
And where will the eye is?
I want the eye somewhere around here, somewhere to put that in and then just decide how long and where
you want the beak.
And now we're going to do to create the actual flower.
So I'm going to start.
Trades in the flower.
Something like this, and let's go to this side.
Something like this, and then let's do the top part of the flower.
So and then finally, just this bit that we won't be able to see, much of which bring that back there.
And now let's bring in.
So we'll bring them in here.
And then let's also just had a nice leaf.
So maybe we'll put a halfway point on the recipe just to get rid of that, and now I'm looking to do
now I've actually got the outline is look where I'm going to have the stained glass, actual pots going.
So I think on the actual wing, I want to pass out one pot like this, one pot like this.
I want to press it again and just get rid of this line.
I really don't need it that.
So and now we need to actually bring in these parts of the wing, so if I bring the line here, let's
say one here, one here and finally one here and now let's do the same.
So we've got four lines.
So let's try and get the top wing four lines as well.
So one, two, three, four, something like that.
And now let's decide where we're going to bring the line from.
So I think from the bottom of the beak going through the eye down to the bottom of the wing and fuller
in this round.
And then I think we'll have another one go into these feathers.
So we'll have it coming from just this point here and coming down to the actual feathers there and then
going round and finishing up at the top.
And then these can actually be split apart as they are already.
And then we'll have this as one island.
This is one island.
And I think I'm pretty much happy with that.
The one thing that I do want to do is just bring these out a little bit just so look a bit more rounded
than they are.
So let's bring these out a little bit as well.
Something like this, you can say that we've got a bottom one, so we just need to put this in as well.
Like so now with this, I have enough there enough information that to actually draw this out now into
a complete division.
So I'm looking at just making sure I'm happy with everything.
And then what I'll do is I'll come over then to the post and click on the post to bring me a new canvas,
come to the lab I've just created and just put down the opposite, say something fairly low where I
can just actually see it.
Now I'm going to go back to the new lab and make sure I've got my brush on.
I'm going to come over then to my move in.
I'm going to put it on something like 90 percent, something like that.
And then what you'll notice is when actually, Drew, it actually is really easy now to make nice,
beautiful lines.
I'm also going to tell my brush size up just a little bit, and now I'm going to start creating these
lines.
So if I bring it in like so.
So and now you can see all you need to do is just follow the work that you've actually done.
I'm trying to leave a little bit of an edge on here, because I know this is where the outside's going
to go.
And the main thing that you want to focus on here is making sure that all these lines actually talk.
So if I bring this up now, like so, then you can say that they're not quite touching.
Now, the straighter and smoother these lines are is directly going to be transferred into the SVG.
So just that I might somehow bring this down.
And let's now concentrate on the head of my hummingbird all the way down to its be so.
And now let's try and do the outline going into the actual head round the wing, so and let's try now,
given my homing hummingbird is I and now let's go home and give him the top part of his body, like.
So I need to bring this now all the way through here.
And down and you can see that looking really nice and smooth, and that is exactly what we're going
for.
Now let's give him his tail.
Bring it round.
Well.
And then these small feathers, so.
And the more you do this, the better you will get with it.
Now let's do the body.
So had to be like someone that's like him around the rather nice.
OK, so now let's split these wings up a little bit.
So we'll give one poll here a lot with Pigtown.
One point here.
So now let's head to these little Gruzdev.
So I'm going to start from these groups and go down and then this one.
So now let's come to the other wing.
So, again, starting from.
Where these little girls are, it makes it a bit easier, I find.
So.
Like, sir.
All right, so I'm really happy with that.
And now let's start on actual flower.
So I'm going to start on this leafier.
I don't want to actually touch my beat, as you can see, I just made it so not quite touching it.
Now, let's put the center of the flower in, so and it's also important just to remember to leave yourself
just a little bit of room so you can see here.
I want to actually close this book off.
And I want this to actually be I don't actually want this to be a call.
I just want it to be the solid metal.
So I'm just going to come up and just close off.
So there's no point on that.
All right.
So now let's do this a little like so.
From around.
The back one go going through.
Around.
So.
Nice and flowing, as you can see.
And now let's do this then.
Don't worry, if you go over this line, that's perfectly fine.
And now let's do this.
So nice and flowing again.
And then at some point going down, it looks OK.
So I think I'm very, very happy with without this is you might want to put another leaves in there
or something like that.
Well, I think I'm actually happy with it now.
The next thing I want to do is I want to hide this one behind it.
So I'm going to click on this on here.
And you'll see now it's been hidden.
And now on today's just straight into any of these lines that I'm not happy with.
As you can see here, this line here I'm not quite happy with.
So I'm going to press E I want to make my brush a little bit smaller.
This is the eraser now, and I'm just going to go clean these lines just a little bit because you can
see in some places that just overlap in that tiny bit.
Just you can see that when a little bit too far.
So I'm just going to press control that and just clean it up very, very gently and look in here.
Do it while not touching a little bit more.
I think it should be OK.
I'm just looking at the rest of it.
Do I want this quite so much?
I don't think so.
So I think I'm just going to chop it and then just smooth it off.
Like so and now obviously I need a actual ball going around it to finish off the actual effect, it's
also worth thinking about.
Do you actually want to split up this part here, which is going to be all sky?
So do I want this touch in the actual ball?
So let's bring in the ball first.
So what we'll do is we'll come over to the left hand side.
We'll click on this eclipse again and then one, which is I'm going to drag it out.
I'm going to hold the shift on.
And I'm going to do is I'm going to actually try and put this in actual place where it needs to go.
Now, I am struggling a little bit to drag this out with my actual pen.
So on Wednesdays, I'm just going to put my pen down and we use the mouse to actually do that.
Sometimes that happens and is easier to use the mouse on some parts of it.
So now I'm going to click drag, hold the board and just try and fit into this actual circle.
So it's going around the outside.
So I'm using shift and spaceball and just dragging it out and you can say nearly got it.
That's bringing out a little bit like.
So bring it in just that tiny bit and release.
Let me just think about what it's doing and then we've go now at the top here, you can see you've got
one that says, Phil, we don't want this filled.
So we'll come up to there and click this bracket going through this.
Why?
It means actually it doesn't put anything in there.
So it means it's empty.
Now, let's come to where it says stroke.
And if we turn the stroke up now, you will see.
That when we put this on block, so this one here that we go now, you can see we've actually got Don
and then I'm going to press control Z just to take that off.
And now I've got my circle back.
Now, look at the line thickness of how thick this is in comparison to this line going round.
You can see here it's slightly touching.
And I think I actually want them touching here.
And the reason for that is I want to break all these islands.
As you can see here, I would like different islands because that then means I will have different colors
within my actual class.
So once you're happy with this and then the same thickness, come over to the right side here, right.
Click and go up to pressurize layer and then we go.
Now, let's finish this off.
I need to clean these up and I need to make sure that these are actually joining these parts going round.
So, again, I'm going to come to my broche and again, I'm going to switch to my actual pen.
And when you come in.
And just make sure they're actually talking here like so.
Here.
And here and here and anywhere else, I'm thinking, I think that should be absolutely fine.
Now, let's clean these up a bit so we'll press E again.
I'm going to bring it down very, very slowly.
And you can see that because this is on a different land.
I need to come to this light here, which is this year.
And then I can come in and look, I'm just minus those out of the way, and because I'm not drawing,
I can go right up to the actual side and not have to worry about deleting this line.
Now, one Champix with it, the next thing you need to do is you need to come over to the right hand
side, grab your clips, shift, click your actual layette.
Right.
Click then and pull MessageLabs.
You're going to move down like so now you can come down and actually hide the great box and you should
be left with something like this.
Now finished.
I'm actually going to say you can even dockett or you can just close it like so.
And then what we're going to do now is turn this into actual NSV.
So I hope you enjoy creating that.
And on the next lesson, what we'll do is actually change this sentence and bring it into blender.
I know I really enjoy this part actually of the code, so I hope to see you on the next one.
Thanks a lot, everyone.
Bye bye.